I’ve written before about how Manet liked to paint yellow gloves, but today I’d like to take my interest in Manet’s sunny colors a step further. Manet often used yellow or orange to create a spark in a painting. Those might not be the colors we first associate with the artist, but they occur over […]

When I was in NYC, I spent time hanging out with Victorine. I just sat in the room at the Metropolitan Museum of Art where Young Lady in 1866 is hanging, looking at the painting and watching other people look at the painting. I particularly liked seeing this young woman looking at Victorine because she […]

Manet died a week ago today, on April 30, 1883. He was just 51 years old. I used the portrait Carolus-Duran painted of Manet at the top of this post because I like how Manet looks in it. Friend Antonin Proust described Manet as “ouverte et franche,” and I think this portrait shows that side […]

I think Victorine Meurent looks so glamorous in Young Lady in 1866, which is on display at the Metropolitan Museum of Art. I put it at the top of today’s post because April turned glamorous for me: Paris Red made it onto “must read” lists at InStyle and Harper’s Bazaar. InStyle said, “You’ll be caught […]

This week Facebook pulled my ad for Paris Red because it said I was “promoting nudity.” My ad didn’t have any nudity in it, but it linked to an interview I did that featured a detail from Manet’s Olympia. That’s all it took for me to get this response from Facebook: Here’s the ad as […]

At 7 p.m. April 24, I’ll be at The Community Bookstore in Brooklyn to read from Paris Red and share in conversation with Brigid Hughes, founder and editor of A Public Space. I can’t wait to see old friends and meet new ones, and I can’t wait to talk with Brigid Hughes. Rumor has it […]

Victorine Meurent is just 17 years old when she meets Manet in Paris Red. (That was probably true in real life, too.) She’s a protagonist with all the strengths and gifts young women have. Does she also have weaknesses? I’m sure. But this blog post isn’t about that. It’s about the power and beauty of being […]

I was really thrilled by Marie Michaud’s review of Rouge Paris for Page des Librairies. She said Rouge Paris was “un roman émouvant sur l’amour, l’art et la vie, véritable plongée dans la bohème parisienne du XIXe siècle.” Click here to read the entire review. Michaud also spoke about Rouge Paris on France Bleu radio […]

As soon as there was photography, there were erotic photographs. I’ve written before about art historian Beatrice Farwell’s theory that Félix-Jacques-Antoine Moulin photographed Victorine Meurent in 1852. The date doesn’t fit with other information we have about Meurent, but the photos Farwell used to support her argument (found in the Bibliothèque nationale de France) still fascinate […]

I began serious research on Paris Red in 2005. But my interest in Victorine Meurent and my connection to the material began much earlier. In 1986, I had a conversation with a friend about Olympia. He was studying art history, and we fell into talking about the painting one day in the dining room of […]