
My copy of Cara Black’s new mystery, Murder on the Champ de Mars, arrived Tuesday, and I’m thrilled. I love to tag along as Aimée Leduc navigates Paris by Vespa, investigating crimes and injustice, and I’m as much in awe of her fashion sense as her street sense. Fourteen books into this series, I feel […]

I celebrated Victorine Meurent’s birthday this past Wednesday, February 18. She was born 171 years ago, in 1844. (She died in 1927, at 83.) I know a few other people celebrated along with me because I got some favorites and retweets on Twitter, as well as some likes on Facebook. I thought it would be […]

This is another of my shabby photos from 1983, taken at the corner of rue de Seine and rue Jacques Callot. It shows the restaurant La Palette and a bit of the outside of Galerie Lara Vincy when the artist Ben (Ben Vautier) covered the outside of the gallery with colored writing for his Boîtes et […]

Kirkus just reviewed Paris Red and said some wonderful things: “Manet’s muse ponders color, power, sex and love in vibrant 1860s Paris…Gibbon writes in a rather fragmented style, with short chapters…the overall effect is lyrical and fits the shabbily gorgeous Parisian setting. Fans of art history, Paris and contemporary Künstleroman like Girl With a Pearl Earring […]

When I found out this weekend that Publishers Weekly gave Paris Red a “starred” review, the news came from the source. PW Reviews tweeted it directly to me @Maureen_Gibbon: I thought I’d just be catching up on tweets about cats, writing and Paris, so the tweet shocked me. I got so flustered I had to do something […]

This is a Julyan Davis painting called By Her Lily White Hand (On the Banks of the Ohio), 2012. It’s one of Davis’s murder ballad paintings, a series of “narrative paintings, setting traditional Appalachian music against the contemporary South.” In the song “On the Banks of the Ohio,” a man asks his love to take a […]