This is a Julyan Davis painting called By Her Lily White Hand (On the Banks of the Ohio), 2012. It’s one of Davis’s murder ballad paintings, a series of “narrative paintings, setting traditional Appalachian music against the contemporary South.” In the song “On the Banks of the Ohio,” a man asks his love to take a […]

Victorine Meurent is just 17 years old when she meets Manet in Paris Red. (That was probably true in real life, too.) She’s a protagonist with all the strengths and gifts young women have. Does she also have weaknesses? I’m sure. But this blog post isn’t about that. It’s about the power and beauty of being […]

I was really thrilled by Marie Michaud’s review of Rouge Paris for Page des Librairies. She said Rouge Paris was “un roman émouvant sur l’amour, l’art et la vie, véritable plongée dans la bohème parisienne du XIXe siècle.” Click here to read the entire review. Michaud also spoke about Rouge Paris on France Bleu radio […]

As soon as there was photography, there were erotic photographs. I’ve written before about art historian Beatrice Farwell’s theory that Félix-Jacques-Antoine Moulin photographed Victorine Meurent in 1852. The date doesn’t fit with other information we have about Meurent, but the photos Farwell used to support her argument (found in the Bibliothèque nationale de France) still fascinate […]

I began serious research on Paris Red in 2005. But my interest in Victorine Meurent and my connection to the material began much earlier. In 1986, I had a conversation with a friend about Olympia. He was studying art history, and we fell into talking about the painting one day in the dining room of […]

I have a secret. Ever since I received the advance copies of Paris Red last month, I’ve been carrying one with me everywhere I go. I don’t mean that I show it to everyone (though I have shared it with friends), I just mean that I always have a copy in my bag. I guess […]

This is another collage I made from a 1908 postcard I found of Mlle Rochet, a young dancer and performer. In this card, someone has tinted her shoes a brighter blue than in postcard #1, and they’ve given her a candy-pink body stocking. I love the thoughtful, unsmiling expression on her face, and I love […]